SINGER SARGENT
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John Singer Sargent
January 12, 1856 – April 14, 1925
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Here is just a small selection of oil painting reproduction masterpieces by Singer Sargent. All of our paintings are 100% hand painted oil on canvas reproductions. If you don’t find what you are looking for, remember that we can commission almost anything for you – simply contact us to make a special request. Master Arts looks forward to providing you with a masterpiece reproduction that will be treasured for many generations to come.
Biography
John Singer Sargent was the most successful portrait painter of his era, as well as a gifted landscape painter and watercolorist. He was an American expatriate who lived most of his life in Europe. Sargent was born in Florence, Italy to American parents. He studied in Italy and Germany, and then in Paris under Emile Auguste Carolus-Duran.
Sargent's portraits reveal the individuality and personality of the sitters; his most ardent admirers think he is matched in this only by Diego Velázquez, who was one of Sargent's great influences. The Spanish master's spell is apparent in Sargent's The Daughters of Edward Darley Boit, 1882, a haunting interior which echoes Velázquez' Las Meninas. Sargent's Portrait of Madame X, done in 1884, is now considered one of his best works, and was the artist's personal favorite. However, at the time it was unveiled in Paris at the 1884 Salon, it aroused such a negative reaction that it prompted Sargent to move to London. Many years before the Mme. X. scandal of 1884, he painted exotic beauties such as Rosina Ferrara of Capri, and the Spanish expatriate model, Carmela Bertagna.
Sargent is usually not thought of as an Impressionist painter, but he sometimes used impressionistic techniques to great effect, and his Claude Monet Painting at the Edge of a Wood is rendered in his own version of the impressionist style.
Sargent painted a series of three portraits of Robert Louis Stevenson. The second, Portrait of Robert Louis Stevenson and his Wife (1885), was one of his best known.
In a time when the art world focused, in turn, on Impressionism, Fauvism, and Cubism, Sargent practiced his own form of Realism, which brilliantly referenced Velázquez, Van Dyck, and Gainsborough. His seemingly effortless facility for paraphrasing the masters in a contemporary fashion led to a stream of commissioned portraits of remarkable virtuosity: (Mr. and Mrs. Isaac Newton Phelps-Stokes, 1897, Metropolitan Museum of Art, New York). Thus, he was dismissed as an anachronism at the time of his death, but appreciation of his art has since grown steadily, especially following a retrospective exhibition at the Whitney Museum of American Art in 1986. John Singer Sargent is interred in Brookwood Cemetery near Woking, Surrey.












